Dear Inna Fyodorovna Murian, who successfully worked in the field of Oriental art studies from her student years until the glorious anniversary that is now being celebrated, we congratulate and hope for her new theoretical research in comparative art studies, which included fine arts and architecture both in Asia (China, Japan, Indonesia, Vietnam, Nepal) and Europe (from antiquity up to the present day). Inna Fyodorovna has been working at the State Institute of Art Studies for a good half century - Doctor of Art History, member of the Asian and African Art Sector.

FRIENDS AND COLLEAGUES

MAIN SCIENTIFIC WORKS OF I. F. MURIAN*

Chinese New Year's splint // Sovetskaya literatura na inostrannykh yazykakh [Soviet Literature in Foreign Languages], Moscow, 1956, No. 11, pp. 12-16.

Intro. art.: A set of postcards / / Chinese folk lubok. Moscow: IZOGIZ, 1957. pp. 1-7, ill.

Modern Chinese lubok, Moscow: IZOGIZ Publ., 1958, pp. 3-18, ill.

Notes on Vietnamese and Korean painting based on the materials of the exhibition of Fine Arts of socialist countries, Moscow, 1959 / / Artist. Moscow, 1959. N 6. pp. 32-37.

Iskusstvo Vostoka v Gosudarstvennom muzei vostochnykh kul'tury [The Art of the East in the State Museum of Oriental Cultures]. Vestnik istorii mirovoi kul'tury, Moscow, 1959, No. 4, pp. 3-36.

Art of the young (based on the materials of the exhibition of paintings and graphics of modern young Chinese artists) / / Modern East. 1959. N 2. pp. 2-10.

Art of contemporary China, Korea and Vietnam at the exhibition of fine arts of socialist countries // Vestnik istorii mirovoi kul'tury [Bulletin of the History of World Culture], Moscow, 1959, pp. 14-17.

At the Korean exhibition of modern embroidery / / Artist. 1959. N 10. pp. 7-15.

Chinese folk lubok, Moscow: Iskusstvo Publ., 1960, 122 p., ill.

Khudozhestvennyj obraz i dekorativnost ' v iskusstve Azii i Afrika [Artistic image and decorativeness in the art of Asia and Africa], Moscow, 1969, pp. 30-78.

Japanese sculpture at the exhibition at the State Museum of Fine Arts in 1970.

Kanon v khudozhestvennoi sisteme Borobudura [Canon in the artistic system of Borobudur]. Moscow, 1973, pp. 86-113.

Borobudur / / Treasures of the Asian and African countries. Issue 1. 1975. pp. 86-113, ill.

Borobudur: the history of discovery and restoration / / Asia and Africa today, Moscow, 1975, pp. 28-56.

Author: Larajongrang, an architectural monument of Central Java, pp. 28-50; Liang Kai's painting "The Poet Li Bo", pp. 87-98 / / Treasures of Asia and Africa. Issue 2. Moscow, 1976. 151 p., ill.

Li Kezhan - a modern Chinese landscape artist / / Art of the East and Antiquity, Moscow, 1977, pp. 137-156, ill.

Canon and Iconography in the Borobudur art system / / Asia and Africa Today. 1978. N 3. pp. 102-110.

Two models of the world in Medieval Java art // Soviet Art studies. Issue 3. Moscow, 1979, pp. 145-155, ill.

Fine Arts of the Socialist Republic of Vietnam, Moscow: Fine Arts, 1980, 232 p., ill.

Art of Indonesia from ancient times to the end of the XV century. Moscow: Iskusstvo Publ., 1981, 239 p., ill.

The birth of the Buddha-Nepalese relief of the end of the first millennium AD / / Soviet Art Studies 82, 2. Moscow, 1984. pp. 16-29.

European perception of Far Eastern ink painting and the use of European ink paintings-

* Compiled by S. D. Miliband.

Vzaimodeystvie i vzaimovliyanie tsivilizatsiy i kul'tury na Vostoke [Interaction and mutual influence of civilizations and cultures in the East], Moscow, 1988, pp. 134-136.

Mu Qi "Baghe bird on the old pine" / / Garden of one flower, Moscow, 1991, pp. 131-143, ill.

Artistic Canons in the System of the Borobudur // The Art and Culture of South-East Asian. Delhi, 1991. P. 233-244.

Author: On the problem of synthesis in the art of Asian countries. pp. 9-24; Borobudur and types of architectural and sculptural synthesis in medieval Indonesia. pp. 105-125 / / Synthesis in the art of Asian countries. Moscow, 1993.

Intentional features of the perception of "alien" art in the West (Europe) and in the East (China) / / Interaction of artistic cultures of the East and West, Moscow, 1998, pp. 175-199, ill.

Art of Nepal. Drevnost ' i srednevedovye [Ancient and Medieval Times], Moscow: Vostochnaya litra RAN, 2000, 119 p., ill.

Rec.: Vinogradova N. A. Sto let iskusstva Kitay i Jap'anii [One hundred years of Art in China and Japan]. Iskusstvoznanie 1/00 (XVI), Moscow, 2001, pp. 605-607.

Formation of a new Nepalese culture in the 60-80's. Nepal at the Turn of the Millennium, Moscow, 2002, pp. 107-112.

Cyclical forms of movement in history and art. Tsikly v istorii, kul'tury, iskusstve [Cycles in History, Culture, and Art], Moscow, 2002, pp. 176-190.

Author's article: Traditions of medieval art of Nepal in the II millennium (bronze, painting, architecture). pp. 132-151; Tradition and art form: a terminological approach.pp. 272-283 // Art of the East. Khudozhestvennaya forma i traditsiya [Art Form and Tradition], St. Petersburg, 2004.

Cyclicity as one of the forms of awareness of real processes in science and art / / Cyclical rhythms in history, culture, science and art. Moscow: Nauka, 2004. pp. 216-228, fig.

Chinese early Buddhist sculpture of the IV-VIII centuries. in the general space of "classical" sculpture of an antique type, Moscow: Komkniga Publ., 2005, 200 p., ill.

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